What do you need to unlearn in order to become more creative? What things have you been taught or told about “good” writing that perhaps you should forget?
When I first saw this tip, I told Mrs. Gina that what I needed to unlearn was my entire Literature degree. Initially, it was a joke, but as I thought about it, I realized the
It hit me like a metaphorical freight train. I have assumed that my teachers give me novels that
Writing—fiction and non-fiction—is full of gray areas, so
I recently read Samuel Richardson’s Pamela for my 18th Century British Literature class. In a very uneducated way, I told my teacher
Extreme emotional response.
Sometimes, I want a manuscript to have me screaming in frustration as everyone in my house questions my sanity. Every other person in my class despised this novel. I loved how much I hated it.
Which brings me to the ultimate point of this post. As writers, it is easy to feel as if we have to follow the same cookie cutter rhetoric and composition styles as people who have been “successful” at writing; however, even when we follow the “rules” of “good” writing, we never know exactly how an audience will interpret the work.
This may be blasphemy, but we may all be better writers if we had never read a book in our lives.
It is difficult not to compare ourselves to what other authors have already done, and it is even more difficult to build up enough confidence to put out a piece of work that is
Imitating writing
The 97 Best Creativity Tips Ever! (2011), by Dr. Eric Maisel, was the inspiration for this post. Used with permission.
Bonnie Snow was an intern with Around the Writer’s Table, working toward a graduate certificate in publishing and editing while in her senior year at Florida State University. She
Gina Edwards is a retreat leader, a certified creativity coach, and a book editor. She is also a writer, so she’s intimately familiar with the challenges and elation that come with being one.
She supports all writers—published and aspiring—who want to write as an act of courageous and necessary self-expression.
Walking the writer’s path hand-in-hand with her clients and students, she helps them establish a writing practice and define a creative life on their own terms.

Great article, loved the reminder. Thanks!
It is a difficult balance to strike; being original and learning from writers who have come before us. I have always thought that had I studied fiction writing in college I would have washed out, intimidated by the comparisons and competition.
Over a number of years of writing each morning before reporting to a “real job” I reinvented the wheel–sure the wheel of writing existed between covers of books and in the minds of creative writing teachers, but I was on my own in those predawn hours. Little by little I found my own voice. Having done this forever now I can learn from what I read, and from helpful essays like the ones you write, but the voice I developed flying solo is my own. I guess we need a little of each: the craft and inspiration supplied by other writers and the inner voice that is the best we have to offer.
For a really original voice check out John Irving’s first novel, “Setting Free the Bears.” All the elements that have distinguished him as a novelist are there in this quirky first effort.